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Joseph Boulogne, Chevalier des Saint-Georges pictureWILL-FM’s Roger Cooper Profiles Larger-than-Life Composer Who Fought in French Revolution

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Classically Black: Joseph Boulogne, Chevalier de Saint-Georges

WILL-FM host Roger Cooper’s newest Classically Black program looks at the life and music of 18th-century composer Joseph Boulogne, a gifted violinist who was music director for French Queen Marie Antoinette, fought in the French Revolution, and gained international stature for his swordsmanship.

Classically Black: Joseph Boulogne, Chevalier de Saint-Georges examines the composer’s colorful life. The son of a black slave and her white plantation owner on the Caribbean island of Guadeloupe, he was allowed to take his father’s name and became known from a young age as Chevalier, or knight, of Saint-Georges.

One writer said that if the flamboyant Boulogne had not actually existed, he would have been created by Alexandre Dumas, author of The Three Musketeers. However, said Cooper, there’s a possibility that tales of Boulogne’s brilliant swordplay actually inspired Dumas’ writings. “The father of Alexandre Dumas served under Boulogne in the French Revolution,” Cooper said.

Boulogne also excelled at boxing, horseback riding, hunting, skating and dancing. Historians recall him as vivacious and quick to anger, but also make note of his tender and gentle nature, Cooper said.

Although Boulogne had opportunities not afforded most black men of his day, he did experience discrimination, Cooper said. In 1775, King Louis XVI named him director of the Royal Academy of Music, later known as the Paris Opera. But the king withdrew the appointment after opposition from female artists in the opera who didn’t want to be “subjected to the orders of a mulatto.”

Cooper said many American black musicians he has profiled in the series found encouragement and training through the church. “It was different for the Chevalier Des Saint-Georges, and the English composer I profiled last year, Samuel Coleridge-Taylor. They were encouraged by their families and their schooling. They faced discrimination, but not to the extent the American composers did,” he said.

The program is one in a series of programs in Cooper’s Classically Black series showcasing outstanding classical musicians of African descent. Public Radio International will distribute the program public radio stations around the country.

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